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- #CHANGE THE OPACITY OF A CLIP IN SONY VEGAS 16 HOW TO#
- #CHANGE THE OPACITY OF A CLIP IN SONY VEGAS 16 MOVIE#
It’s also possible to pick from a range of 3D text effects, although it took us a while to work out how to insert our own text. This might confuse casual users but others will appreciate the precise control it affords. Some templates appear on the timeline as multiple objects on separate tracks. The titles editor has been redesigned, too, and includes some templates that manage to be attractive yet understated – a refreshing change from the gaudy designs in most home-oriented editors. Disc authoring has been overhauled, and you can now create AVCHD discs as well as DVD Video and Blu-ray. Sadly, though, both the precision of the selection and the correction controls are lacking. New to version 16 is secondary colour correction, which tweaks only specific colours in a clip. Another neat touch is that the software offers to match the project’s specifications to the first imported clip. Other editors keep video and audio tracks separate, but Magix’s approach makes the timeline much tidier. Projects can now contain up to 99 tracks, and we really like how each track accepts any type of media. We also found that adding a single effect to a single clip could cripple performance, and exports were slower than with most other editors.
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Sometimes our test PC was able to play four simultaneous AVCHD streams, but at other times, two streams was as much as it could manage. Preview performance was frustratingly variable, though. These controls are responsive, too, avoiding the wading-through-treacle effect that some editors exhibit. Overlapping two clips automatically creates a dissolve transition. Each clip has handles for truncating, fading in or out and adjusting the opacity or audio volume. The timeline is where the vast bulk of editing occurs, so the streamlined timeline controls are extremely welcome, even if they are copied wholesale from Sony Vegas. In this latest release, we’re delighted to see that its developers have concentrated on improving existing features rather than reverting to their old habits of simply adding more.
#CHANGE THE OPACITY OF A CLIP IN SONY VEGAS 16 MOVIE#
Movie Edit Pro used to be a sprawling mess, but for version 15, Magix got its act together and delivered a capable, approachable editor with much to recommend it.